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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>In the free market there are no winners</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Tour - Peripathetic Book Tour – ngunnawal/ngambri - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Tour - Peripathetic Book Tour – Wangal - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <loc>http://jerkofalltrades.net/tour/2024/6/17/peripathetic-book-tour-dharug</loc>
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      <image:title>Tour - Peripathetic Book Tour – Dharug - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Tour - Peripathetic Book Tour – Naarm - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <lastmod>2025-09-25</lastmod>
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      <image:title>▪ / Editing / ▪ - Make it stand out</image:title>
      <image:caption>Gusher issue 5 (2025)</image:caption>
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      <image:title>▪ / Editing / ▪ - Make it stand out</image:title>
      <image:caption>Collisions: Fictions of the Future (Pantera Press, 2020)</image:caption>
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      <image:caption>Under the Paving Stones, the Beach (Centre for Stories, 2022)</image:caption>
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      <image:caption>Debris Magazine #3: The Urge to Know (2023)</image:caption>
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    <lastmod>2025-06-28</lastmod>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>▪ / Press and Reviews / ▪ - “Despite being incredibly personal experiences, which gives the collection an idiosyncratic edge, the universality of Tan’s subjects are indisputably what makes parts of the work shine.”</image:title>
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      <image:title>▪ / Press and Reviews / ▪ - “[…] a collection of essays on internet culture, late capitalism, memory and migration, stitched together with biting humour and philosophical clarity.”</image:title>
      <image:caption>Interview with Samantha Corry (RUSSH)</image:caption>
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      <image:title>▪ / Press and Reviews / ▪ - “Instead of asking how to be one’s authentic self under capitalism, Peripathetic is curious about whether capitalism leaves us with any room for authenticity at all.”</image:title>
      <image:caption>Review by Ruby Thiagarajan (Mekong Review)</image:caption>
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      <image:title>▪ / Press and Reviews / ▪ - “It’s a wilful inscrutability, because I never want to be co-opted.”</image:title>
      <image:caption>Interview with Leah Jing McIntosh (LIMINAL)</image:caption>
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      <image:title>▪ / Press and Reviews / ▪ - “[…] she’s a trickster writer who judges her own performance.”</image:title>
      <image:caption>Review by Rosemary Sorensen (Independent Australia)</image:caption>
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      <image:title>▪ / Press and Reviews / ▪ - “Tan’s essays rise out of a defiant, DIY sensibility and sustain a dissident energy.”</image:title>
      <image:caption>Review by Vanessa Berry (The Conversation)</image:caption>
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      <image:title>▪ / Press and Reviews / ▪ - “I’m drawn to writing that reimagines current absurdities and prods at the many senseless contradictions around us, so we can hopefully crawl our way out.”</image:title>
      <image:caption>Interview with Max Easton (Barely Human)</image:caption>
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      <image:title>▪ / Press and Reviews / ▪ - “These days, the essay has become a careful little dance of confession, vulnerability and relatability. Cher Tan’s not playing and she’s certainly no Jia Tolentino.”</image:title>
      <image:caption>Review by Jane O’Sullivan (Art Guide Australia)</image:caption>
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      <image:title>▪ / Press and Reviews / ▪ - “Cher Tan delivers the reader the mirror held up to society and shatters it with a hammer.”</image:title>
      <image:caption>2025 Stella Prize Judges’ Report</image:caption>
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      <image:title>▪ / Press and Reviews / ▪ - “Tan writes about the inside, the outside and how the insidious centre somehow keeps its hold, even when we know it cannot, should not.”</image:title>
      <image:caption>Review by Briohny Doyle (Kill Your Darlings)</image:caption>
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      <image:title>▪ / Press and Reviews / ▪ - “[…] she has a knack for deadpan one-liners that are devastating in effect”</image:title>
      <image:caption>“The best Australian books out in May” (The Guardian)</image:caption>
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      <image:title>▪ / Press and Reviews / ▪ - “Cher Tan is an archivist, a historian, a scribe of this pointy end of the convergence of neoliberalism and the internet in the first decades of the 21st century”</image:title>
      <image:caption>Review by James Whitmore (The Library is Open)</image:caption>
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      <image:title>▪ / Press and Reviews / ▪ - “[…] invigoratingly thoughtful, playful and stylistically uncompromising in the best of senses".”</image:title>
      <image:caption>The Booklist by Cameron Woodhead and Steven Carroll (The Age)</image:caption>
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      <image:title>▪ / Press and Reviews / ▪ - “Tan is particularly skilled at identifying and analysing the demarcations between us as they pertain to matters of culture and subculture, work and technology, authenticity, punk communities and the internet.”</image:title>
      <image:caption>Review by Max Easton (Sydney Review of Books)</image:caption>
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      <image:title>▪ / Press and Reviews / ▪ - “[…] the personal material that she deploys in Peripathetic is how it is almost always a secondary concern; it is the ideas that guide these essays.”</image:title>
      <image:caption>Review by Fiona Wright (The Guardian)</image:caption>
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      <image:title>▪ / Press and Reviews / ▪ - “Tan is a sharpshooter, putting into words thoughts that had previously only rattled in my head. She is a stylist.”</image:title>
      <image:caption>“Tan is a sharpshooter, putting into words thoughts that had previously only rattled in my head. She is a stylist and the effect of her experimentation on text is a mishmash of HTML coding, bracketed run-ons and hyperlinks that lead to nowhere.”</image:caption>
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      <image:title>▪ / Press and Reviews / ▪ - “I don’t critique my own work as I write.”</image:title>
      <image:caption>Debut Spotlight: Interview (Kill Your Darlings)</image:caption>
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      <image:title>▪ / Press and Reviews / ▪ - “Given the rapid acceleration of our image-conscious media economy, Tan may be right to identify “hope” as our strongest force of counterattack.”</image:title>
      <image:caption>Feature interview with Ariana Haghighi (Honi Soit)</image:caption>
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  </url>
</urlset>

